https://soundcloud.com/byu-english-society/my-story-007
This week’s episode features Dr. Jamie Horrocks of the English Department. Dr. Horrocks and Davis discuss the English Department’s new curriculum, internships, and other opportunities available to English majors.
Links to:
The BYU English Society presents its weekly video news magazine.
Sign up for the poetry slam: saturdaynightslamseries@gmail.com or join the event on Facebook.
Read the English Symposium call for papers and presentations and enter the early-interest contest by filling out this form.
Check out the winners of our #6Wurd story contest! We loved reading all of your entries and we can’t wait to see what great content you produce for contests in the future!
10. Experienced Barricade Architect: Seeking Demolition Expert. #6Wurd
9. “Buck Tooph never smiled at strangers.” #6Wurd
8. “Please!” She wept. “Honey…it’s done.” #6Wurd
7. Having lots to say: Not speaking #cursed #6wurd
6. “Sorry, an open casket isn’t feasible.” #6Wurd
5. “Do all newlyweds fight like this?” #6Wurd
4. “Retired teacher seeks reemployment. Spouse ill.” #6Wurd
3. Don’t bother–blood doesn’t scrub out. #sixwurd
2. Balloon allergy. If touched, I’ll pop. #6wurd
1. “I’m broken.” “I brought my tools.” #6wurd
By: Madelyn Taylor
Like most artistic movements, it’s hard to determine an exact source of Slam Poetry. To some point Marc Smith, who, inspired by experimental poets like Allen Ginsberg, began searching for a way to breath life into the open mics in Chicago. By focusing on the performance aspect of poetry, Marc started a poetry reading series at a Chicago jazz club, and eventually, like the true american event it was, the readings became competitive. In 1990, the very first National Poetry slam started a tradition that still runs today.
But what is a Poetry Slam?
Well it’s not…
Maybe you had to recite poetry for English. Maybe your school held a poetry recital. Whatever the reason, everyone is familiar with the stiff silence and polite applause that accompanies a poetry recital. But nothing could be further from the truth when it comes to a Slam. Not only are poets required to bring original work (no Robert Frost here!), but poems are meant to be performed. The poet is always looking to elicit laughter, cheers, tears, reaction from the listeners, making poems just as fun for the performers as for the audience. It is not uncommon, and is highly encouraged, for a Poetry Slam audience show their appreciation of a poem through clapping, stomping, yelling, and yes, snapping.
If the words “Spoken Word Poetry” conjures up images of black turtlenecks, bongo drums, and that one cafe scene from “An Extremely Goofy Movie”, you may be thinking of a different event. Although performance poetry may have originally been inspired by the beatnik movement, a modern poetry slam is far from the beret wearing events of yesteryear. Slam poetry is meant to be understood.
This is another case of influence. From early in it’s life, hip hop has been an active contributor to the slam poetry culture (did you know Kanye’s “Gold Digger” was first performed at a slam?), especially among young poets. Both rap and slam poetry rely heavily on rhythm and flow, and both have informal formats which tackle complex issues. A Slam should not be confused with a rap battle, though. In a slam there are at very least 5 poets (sometimes upward of 30), and instead of bouncing off each other for improvised performances, the majority of poems are prepared in advance.
One of the greatest things about slam poetry is its appeal to people from all walks of life — not just English geeks! If you’re worried you wouldn’t fit in because you don’t particularly love Shakespeare, or you’ve never read Leaves of Grass, never fear! Spoken Word is about sharing your stories, and if everyone had the same experiences, the platform would be useless. So don’t be afraid to dive right it, poetry geek or no, into one of the most honest forms of expression out there.
What Slam Poetry is, is performance poetry. And while a poetry slam may have a specific format, slam poetry itself is anything you want it to be – whether that means rap, soliloquy, or breaking out the iambic pentameter, it’s up to you. However complicated it may seem, slam poetry is primarily about creating a platform for you to say things fully in the best way you know how. It’s about telling your story. And it’s a ton of fun.
Come check out the poetry slam being hosted by the BYU English Society on October 15th from 6-8pm at The Wall! Hope to see you there!
https://soundcloud.com/byu-english-society/my-story-episode-006-rachel-rueckert
BYU English alumna Rachel Rueckert describes her experiences with doing field studies to Ghana and India, Teach for America, traveling around the world for a year-long travel-writing honeymoon, and working for Harvard’s MOOC platform.
The BYU English Society presents its weekly video digest, featuring host Davis Blount and guest host Jacquelyn Dunn.
Poetry Slam Promo: https://www.youtube.com/watch?v=qSr9JlIIuEY
Inscape Submissions: http://inscape.byu.edu/contact/
My Story Podcast ft. Rachel Rueckert: https://soundcloud.com/byu-english-society/my-story-episode-006-rachel-rueckert
On October 24th, BYU’s English Society will be attending a performance of The Legend of Sleepy Hollow at the Covey Center Theatre at 7:30pm.
If you are like me, the only thing that comes to mind when you hear The Legend of Sleepy Hollow is a vague memory from an old Disney film with a super skinny white guy and a scary headless horseman. Since details of the plot had long since faded from my memory, I did a little internet research to figure out what this story is all about.
The Legend of Sleepy Hollow began as a book written by Washington Irving. Interestingly enough, it is “among the earliest examples of American fiction with enduring popularity,” or so says Wikipedia. The protagonist is one Ichabod Crane, a spindly schoolmaster from New England set on obtaining the heart of Miss Katrina Van Tassel, the only child of a wealthy local farmer. Ichabod must compete with Abraham “Brom Bones” Van Brunt, the town hero and muscle man for Katrina’s affection.
The Van Tassel family throws a harvest party which both male suitors attend. Bones spends the party telling frightening local legends (particularly one about a headless horseman) while Ichabod tries and fails to secure Katrina’s hand in marriage.
On his ride home, Ichabod start hearing spooky sounds and encounters a silent stranger at a crossroads in the woods. After traveling a ways Ichabod notices to his horror that the stranger’s severed head is on his saddle. Ichabod tries to outrun the horseman in a mad dash through the woods and over a bridge. He recalls the legend he heard earlier claimed that the specter would disappear after crossing water, but when he reaches the other side the headless horseman follows right on his tail and hurls his head straight at Ichabod’s horrified face.
The next day, Ichabod is nowhere to be found. The only things that remain are a wandering horse, a trampled saddle, a discarded hat, and a mysterious shattered pumpkin. Brom Bones marries Katrina and it is said that whenever the story of Ichabod’s disappearance is mentioned he gets a knowing look in his eye.
Though maybe not very gruesome by our modern standards, this tale has haunted people since the early days of this country and continues to be a trademark of the Halloween season. Come out and enjoy this spooky performance of this classic story with BYU’s English Society!
https://soundcloud.com/byu-english-society/05-my-story-episode-005-kathy-cowley
The BYU English Society presents the fifth episode of its weekly audio podcast, My Story, featuring BYU alumnus Kathy Cowley.
The BYU English Society presents its weekly video digest, featuring host Davis Blount and guest hosts Jacquelyn Dunn and Maddison Driggs.
Poetry Slam Promo: https://www.youtube.com/watch?v=qSr9JlIIuEY
My Story Podcast: https://soundcloud.com/byu-english-society/05-my-story-episode-005-kathy-cowley
By Jesse Bunton
Most of today’s full-time students and working professionals—heck, even most full-time parents—can find it challenging to carve out the time from their busy schedules to indulge in the art of writing fiction. Here are three reasons why doing so will always be worth your while.
1. Writing Fiction Increases Your Empathy:
“The deepest purpose of reading and writing fiction is to sustain a sense of connectedness, to resist existential loneliness” -Pierre Bourdieu
Writing a good story is a challenge. If you’ve ever picked up pen and paper, or sat down in front of your computer, to write a fictional story (even if only a short story), then you’ve likely experienced the struggle of breathing life into a fictional character. We’ve all been there, shaking our heads and asking ourselves what it takes to render a distinct characterization that possesses relatability.
First of all, the answer is not to go people-watching in the same park every weekend. Rather, the answer to the art of characterization lies in the development of our ability to communicate how other human beings feel and, beyond that, to communicate why they feel the way they do about particular topics. This means doing the unthinkable: putting down your smartphone long enough to talk to people, to communicate with those that espouse different beliefs than your own. Try it. You’ll survive.
Writing fiction is where we immortalize the people we met. Writing a believable character is a contemplative effort that, when practiced regularly, will invariably increase your ability to characterize the people around us in a rich, believable way. More importantly, the practice of writing fiction forges strong connections between you and the distinct people from whom you fashion your characters.
2. Writing Fiction Develops Creativity:
Fortunately for me and you, this shouldn’t require much explanation. Still, this is an important reason to begin writing fiction regularly. Regularly writing fiction is one the best ways for you to question, and often to change, your personal paradigms.
All around us are patterns, standards, models, and archetypes. Fiction, in its most basic function, provides both the writer and the reader the opportunity to break free of life’s more mundane patterns. Fiction provides writers, specifically, with the opportunity to deconstruct and reconstruct paradigms into new models that are can be thrilling and unique. Therein dwells “genius.” Obviously, these creative efforts involve multiple parts of the human brain and can strengthen our recall while simultaneously developing our critical problem-solving abilities.
3. Writing Fiction is Meaningful:
When was the last time you heard someone say—whilst discussing familial heirlooms—how grateful they were to have a video cassette recording that their parent’s made of the TV show “Wheel of Fortune”? Or when was the last time you heard someone planning to make a scrapbook to document all the movies their family had watched together on Netflix? For a majority (excluding those individuals that will promptly begin working on a Netflix scrapbook after reading this article) it seems odd to consider either scenario because the emotional values of the two “hypothetical heirlooms” are negligible.
History has a habit of preserving things that are meaningful…and what has it preserved? Amidst all sorts of artifacts, artwork, and elaborate architectural designs, two undisputed champions rise above everything else: language and literature. History has preserved stories because history could not exist without them. From Homer’s writings on Greek mythology to Sophocles’s dramas, works of fiction have been well-preserved because they address what it means to be human (sometimes questioning it too).
We each have an opportunity to join in a rich heritage of writing. We have the opportunity to create contemporary works of fiction that can echo our historical relatives and share paradigm-shaking messages about the human experience. To preserve our most precious ideas, all we have to do is write.